Where necessary, dust and any damage were retouched to restore the negatives to their former glory. In early 2017, his son Mick de Jong started digitizing the original negatives and slides that were collecting dust without anyone knowing about their existence. Backstage and onstage during concerts or television performances, recording sessions in the studio, but also casual photos of artists who were themselves.Īfter his photography career, he worked for record company Sony Music (previously Artone and CBS) in their artist relations and promotional activities. He took thousands of photos in different settings. He created a number of close friendships with national and international artists, both behind and in front of the lens. Kees de Jong is a Dutch photographer (born September 6, 1941) who started his career creating album covers for music artists. Rare and unique photos from international artists such as: Bruce Springsteen , The Jackson 5, Leonard Cohen, Janis Joplin, The Police, Diana Ross, Santana and Earth Wind & Fire but also by many Dutch artists such as: Herman Brood, Henny Vrienten and Golden Earring. Not only because they have been in boxes for the past 25 years, but also because all images of the negatives have never been viewed before. Many of these photos have never been seen before. Thousands of original photos of the largest stars that roamed the planet. As these new photos reveal, she was so much more than meets the eye.This is the story of a son who discovered a number of boxes of old negatives in his parents' attic. However, Landy’s new book offers some fresh, unexpected insights, and reminds us of what Janis Joplin contributed to music, the culture – and what might have been. In an eerie bit of prescience, she left $1,500 in her will for a funeral party the Grateful Dead performed. Joplin’s life, music, and all-too-soon end have been well-documented. (Although one artist who didn’t quite do it for her was Jim Morrison when he tried to pick her up at a party, she hit him over the head with a bottle). Turns out that Janis dated her fellow Woodstock performer Country Joe McDonald for a bit. Landy was also the official photographer of Woodstock, preserving key moments in that culture-shaking event. Jimi Hendrix, Eric Clapton, and Santana are also just a few of the many big names in classic rock that he’s captured with his lens. You already know Elliott Landy’s classic photos from the covers of Bob Dylan’s Nashville Skyline, Van Morrison’s Moondance, and The Band’s Music From Big Pink (just to name a few). We matched her words with my photographs to provide a personal insight into her life and career, creating a unique look at Janis.” The text was selected from extensive recordings of interviews with Janis made by David Dalton during the last year of her life. We looked at every negative and slide I took of her. Until I began putting this book together I didn’t realize how many other great photos I had. Landy states, “I photographed Janis in 19 and over the years I’ve used maybe 15 or 20 of the photographs in various publications. Additionally, David Dalton, a founding editor of Rolling Stone, conducted interviews with Joplin during a 1970 tour those candid thoughts accompany the photos, giving some new insight into this rock icon. His new book, Photographs of Janis Joplin On the Road and On Stage, showcases over 100 never-before-seen photos of the rock icon. Photographer Elliott Landy got a chance to see a different side of Joplin over two years. But beyond her status as a legend, Janis was a very real, very complex woman. She burned hot and flamed out fast at 27. From her grinning, feather-draped Pearl album cover to iconic live shots, there are certain images of Janis Joplin seared into our collective memory.
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